Notably, now you can hear Paul’s closing piano flourishes which are no longer buried by the strings - everything is blended together quite splendidly. The bass is more audible and the choirs are pulled back a bit at times as are the harps.
Naked, an alternative mix of Let It Be that removes Spector's embellishments.Back to the Spector portions of the mix, his arrangements seem just a tad lower on “Across The Universe.” There is now incredible clarity on “Let It Be” allowing you to hear each of The Beatles’ instruments vividly while the strings and choirs are just a smidge lower in the mix - it is not as much of an assault (if you will) as it is on the original mix, putting the band at the song’s center.Īs I mentioned earlier, arguably the biggest offender in the original mix - which you will read in the book in boxed set just how much it offended Paul McCartney - happened on “The Long & Winding Road.” On Giles Martin’s new mix, Paul and his piano are more up front (so it feels more like Beatles with strings vs. The additions offended McCartney, particularly in the case of "The Long and Winding Road".
Spector also included excerpts of studio chatter and applied orchestral and choir overdubs to four tracks. He omitted "Don't Let Me Down" (the B-side of the "Get Back" single) and instead included a 1968 take of "Across the Universe". Get Back was ultimately assembled under the title of Let It Be by the American producer Phil Spector in early 1970. The former was issued as a single in March 1970, and like all the album's recording to this point, was produced by George Martin. In January 1970, the remaining Beatles finished the album with the completion of "Let It Be" and "I Me Mine". By then, John Lennon had departed the group. From then, the project lay in limbo as they moved onto the recording of Abbey Road, released that September. In April 1969, the Beatles issued the single "Get Back", after which engineer Glyn Johns proposed rejected mixes of the album, then titled Get Back, that were widely bootlegged before release. The project then yielded a single public concert held impromptu on the studio's rooftop on January 30, from which three of the album's tracks were drawn. As a condition of his return, the members reconvened at their own Apple Studio with guest keyboardist Billy Preston. The filmed rehearsals were marked by ill feeling, leading to George Harrison's temporary departure from the group. Paul McCartney conceived the project as an attempt to reinvigorate the band by returning to simpler rock and roll configurations. Rehearsals began at Twickenham Film Studios in January 1969 as part of a planned documentary showing the Beatles' return to live performance. However, the critical response was generally unfavourable, and Let It Be came to be regarded as one of the most controversial rock albums in history. Like most of the band's previous releases, the album topped record charts in many countries, including both the US and the UK. The Beatles released Let It Be, the twelfth and final studio album by the English rock band the Beatles, on May 8, 1970, almost a month after the group's break-up, in tandem with the motion picture of the same name. Neil Aspinall (Producer), The Beatles (Executive Producers)
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